محمود اسکندری

The person must match reference image 1 exactly: same face, skin tone, hair, age, and build. Do not change identity. Reference image 1 is the locked character identity. پرامپت این تولیدSCENE CONTEXTSafa Isfahan, around 1600, midday. In the courtyard of a traditional Persian garden mansion under falling white almond blossoms, a lone man in dark combat robes fights off qizilbash guards, spots a woman watching him from a dark doorway, breaks through the guard line, and chases her across a wooden talar veranda into the mansion interior. The man is at the courtyard center; the woman is inside the mansion doorway ahead of him, behind orsi lattice windows.ACTIVE REFERENCES@image1: [age] + [build/role] + [hair state: length, texture, how it's worn] + [eye color] + [1–2 unique visible features]. 100% matches the reference.@image2: [age] + [build/role] + [hair state: length, texture, how it's worn] + [facial hair or bare face] + [1–2 unique visible features]. 100% matches the reference.LOCATION MAPForeground: courtyard floor of pale stone tiles scattered with fallen white almond blossom petals. Midground: the fight zone at courtyard center, ringed by blossoming almond trees shedding heavy petals; to the right, a raised wooden talar veranda runs along the mansion facade. Background: the mansion wall with Persian orsi windows — sliding wooden lattice sashes inset with stained glass — and one dark open doorway at its center; a warm floor lantern glows on the veranda. Tiled roof above frames the courtyard. Daylight comes from high overhead, diffused by thin overcast; camera starts above the tiled roof and works on the shadowed courtyard side throughout.FIRST FRAME / BLOCKINGFirst frame: high-angle view over the tiled roof edge looking down into the courtyard. The man stands at courtyard center, already mid-combat, blade up, feet in a wide stance. Six qizilbash guards in lamellar armor and red-batoned turban helmets close in on him from all sides, weapons raised, all figures in motion from frame one. Blossom petals falling through the whole frame.FORMAT MODETimed multishot, 14 seconds total. Cuts only at the specified points, the camera does not cut on its own.0.0s to 3.0s — Crane shot: camera pans down from the tiled roof into the courtyard at walking speed, settling into a medium-wide 63° angle at chest height. The man at frame center deflects strikes from guards attacking from left, right, and behind; he parries two blades, shoulder-checks one guard back, pivots on his heel. Petals fall continuously.3.0s HARD CUT3.0s to 4.0s — Static CU on the man's face, 18°, very shallow depth of field, the battle behind him dissolved into soft bokeh. Mid-fight he freezes: his eyes widen, pupils lock onto a point beyond the camera-left frame edge, brow drops into hard focus, jaw sets. His blade holds still in guard position.4.0s HARD CUT4.0s to 5.5s — Static subjective POV from the man's position, 29°: out-of-focus white almond blossom branches occlude 25% of the frame edges. At frame center, the woman stands in the dark doorway just behind the open orsi lattice sash, stained glass catching light beside her. She looks back over her shoulder directly into the lens, one corner of her mouth lifts into a calm knowing smirk, chin steady, then she turns away into the darkness, shimmering robe catching the light as she goes.5.5s HARD CUT5.5s to 9.0s — Handheld MS, 47°, tracking right at 8 km/h with 1–2 cm organic tremor. The man on the left third of frame drives forward toward frame right through the guard line: he ducks a swing, slams his elbow into one guard's chest, sweeps a second guard's legs, shoves a third aside, each guard dropping with full body weight. His teeth clench, breath sharp, eyes fixed forward on the doorway. Steel flashes bright against deepening background shadow; petals swirl in his wake.9.0s HARD CUT9.0s to 14.0s — Smooth lateral tracking shot at 15 km/h, parallel to the mansion facade, MS at 47°, camera gliding at chest height. The man sprints right-to-left along the wooden talar veranda past the glowing floor lantern, boots hammering the planks, robe streaming behind him. He reaches the orsi window, grabs the wooden lattice sash and throws it open with a hard slide, and plunges through into the dark interior after the woman. The sash clatters against its frame as the shot ends on the dark opening.OPTICSFOV per segment as stated above: 63° crane settle, 18° close-up, 29° POV, 47° handheld track, 47° veranda track. No drift mid-segment. Rectilinear lenses, natural motion blur on fast limbs and falling petals; shallow-focus segments carry smooth round bokeh.CAMERAOperator on the shadowed courtyard side for every setup. Segment 1: crane descending from roof height to chest height. Segments 2–3: locked off. Segment 4: handheld at chest height, lagging half a beat behind the man's push. Segment 5: stabilized lateral glide at chest height, holding the man centered. Wide tonal latitude with soft highlight roll-off — bright blossoms and steel hold detail, shadows stay rich without crushing.ACTIONSubject and camera motion stated per segment above. The man's chase line runs courtyard center → through the guard line frame-right → up onto the veranda → through the orsi sash into the interior. The woman appears only in the POV segment and exits into darkness within it.PERFORMANCEThe man: muscle-level urgency — flared nostrils, sharp exhales visible in effort, sweat sheen at the hairline, knuckles whitening on the blade grip; in the close-up, a capillary flush across the cheekbones and living catch-lights in widened eyes. The woman: total stillness against his chaos — slow blink, the smirk built from a single lifted mouth corner and steady eye contact, then an unhurried turn. Pore-level skin realism on both faces.PHYSICSGuards fall with full mass and inertia, armor plates clattering on stone, contact shadows under every body. Almond petals fall at natural drift speed, eddying in the wake of fast movement and settling on shoulders and stone. The wooden sash slides with wood-on-wood friction and rebounds slightly on impact. Robes and loose hair strands respond to wind and momentum.LIGHTINGCool diffused daylight from high overhead, softened by thin overcast, 8500K white balance held across all segments. Soft top-key with gentle fill bounced off pale stone. In the final segment the exterior stays cool while the floor lantern throws a warm orange pool across the veranda planks and the man's face as he passes. The doorway interior reads as deep near-black shadow with the woman's light robe as the only bright shape inside it.COLOR GRADEHeavy teal-and-cyan cinematic grade: cyan pushed into the diffused sky light and stone shadows, teal in the dark combat robes and deep architecture, while white blossoms and the woman's shimmering robe stay clean near-white highlights; the lantern's orange glow is the single warm accent cutting the cool palette. Slightly lifted blacks, filmic contrast.WARDROBEThe man: dark minimalist combat robes in matte heavy cloth, close-fitted for movement, hem and sleeves catching wind. Guards: lamellar armor of overlapping steel plates over dark tunics, turban helmets wrapped with red batons. The woman: light-colored traditional Persian robes with a fine shimmer that catches the doorway light.AUDIOSharp clash of steel on steel, heavy footsteps and armored bodies hitting stone, wind rustling blossom branches throughout. In the final segment: hollow rapid boot thuds on wooden planks, then the aggressive slide and clatter of the wooden lattice sash. No dialogue.STYLEPhotoreal live-action cinema look, 8K detail, fine film grain, anamorphic-flavored gentle edge falloff, all segments real-time speed.POSITIVE LOCKSThe man's face, hair, and stubble stay identical to @[Image 2](image_2) in every segment; his face stays bare with no eyewear throughout. The woman's face and hair stay identical to @[Image 1](image_1). One location, one time of day, one weather state across all cuts. White almond blossoms keep falling in every exterior segment. Teal-cyan grade and 8500K balance hold across every cut; the lantern glow appears only in the final segment. Screen direction of the chase stays consistent: the man always drives toward the doorway. Cuts land only at 3.0s, 4.0s, 5.5s, and 9.0s.